I should start by saying that I didn't particularly like the Accordion. It's sound seemed to me to be a bit mushy, and without sufficient range. As a fan of, primarily, Jazz, there were few musicians who were likely to change my mind.But recently my musical excursions have led to an about-face. It started with the pumped up majesty of Kimmo Pohjonen. He released a disc with the Kronos Quartet which is amazing, and I went on to buy a lot of his work.Next came Holmen: Oort Cloud. It's a fabulous piece that extends the range and textures of the Accordion even farther. It plays in the same area of Klaus Schulze's long opuses, without being overly synthesized.Then it was Pauline Oliveros. I bought a box set of her electronic pieces, and then got Crone Music - another brilliant Accordion work.By this time my opinion of the Accordion had changed considerably. It's not only an interesting instrument because it seems not to play notes, but always clusters of sounds, but because people were finding ways to make it, well, less of an accordion and more as just another instrument.And so to this wonderful recording. Most of what is here is improvised, along with three "remixes". There's a lot of space here, some good development. It's never dull or flat, in fact I find it ruminative and suggestive of darker and darker tones. Which is something I should mention, where Kimmo is largely about joy and elevation, I feel this disc is more analytical, looking inward rather than outward.It's none the worse for that. A real find. Easily a five star effort.